CARNEGIE HALL PRESENTS
Performance Wednesday, May 23, 2012 | 8 PM

The Cleveland Orchestra

Stern Auditorium / Perelman Stage Seating Chart
Hear one of America’s greatest orchestras perform exemplary music from three centuries. The Cleveland Orchestra and Maestro Franz Welser-Möst are joined by eminent pianist Yefim Bronfman for a program that includes the New York premiere of Kaija Saariaho’s Laterna magica, a work inspired by the autobiography of Ingmar Bergmann, and works by Brahms and Shostakovich.

Performers

  • The Cleveland Orchestra
    Franz Welser-Möst, Music Director and Conductor
  • Yefim Bronfman, Piano

Program

  • BRAHMS Piano Concerto No. 2
  • KAIJA SAARIAHO Laterna magica (NY Premiere)
  • SHOSTAKOVICH Symphony No. 6 in B Minor

Bios

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    The Cleveland Orchestra


    Under the leadership of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer's Blossom Festival, in ongoing residencies from Miami to Vienna, and on tour around the world, the orchestra sets the highest standards of artistic excellence, creative programming, and community engagement.

    The partnership with Franz Welser-Möst, now in its 10th season, has earned The Cleveland Orchestra unprecedented residencies in the US and in Europe, including one at the Musikverein in Vienna-the first of its kind by an American orchestra. The orchestra regularly appears at European festivals, including an ongoing series of biennial residencies at the Lucerne Festival. In the United States, Mr. Welser-Möst and the orchestra have toured from coast to coast, including regular appearances at Carnegie Hall. In January 2007, they launched an annual residency called Cleveland Orchestra Miami, which provides a wide array of community, performance, and educational activities in Miami, Florida. In addition, the orchestra has performed in residence at Indiana University and began a new residency program in New York City as part of the 2011 Lincoln Center Festival.

    The Cleveland Orchestra has a long and distinguished recording and broadcast history. A series of DVD and CD recordings under the direction of Mr. Welser-Möst has recently been added to an extensive and widely praised catalog of audio recordings made during the tenures of the ensemble's former music directors. In addition, Cleveland Orchestra concerts are heard in syndication each season on radio stations throughout North America and Europe.

    The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America's top rank of symphony orchestras. Over the next decades, the orchestra grew from a fine regional organization to one of the most admired symphonic ensembles in the world. Seven music directors (Nikolai Sokoloff, 1918-1933; Artur Rodziński, 1933-1943; Erich Leinsdorf, 1943-1946; George Szell, 1946-1970; Lorin Maazel, 1972-1982; Christoph von Dohnányi, 1984-2002; and Franz Welser-Möst, since 2002) have guided and shaped the ensemble's growth and sound. Touring performances throughout the US and, beginning in 1957, to Europe and across the globe have confirmed Cleveland's place among the world's top orchestras. Year-round performances became a reality with the first Blossom Festival in 1968, presented at an award-winning, purpose-built outdoor facility located just south of the Cleveland metropolitan area near Akron, Ohio. Today, touring, residencies, radio broadcasts, and recordings available by internet download, DVD, and CD provide access to the orchestra's music making to a broad and loyal constituency around the world. Visit clevelandorchestra.com for additional information.


    Franz Welser-Möst


    The 2011-2012 season marks Franz Welser-Möst's 10th year as music director of The Cleveland Orchestra, with a long-term commitment extending to the orchestra's centennial in 2018. He holds the orchestra's Kelvin Smith Family Endowed Chair. Under his direction, the orchestra is acclaimed for its continuing artistic excellence, is presented in a series of ongoing residencies in the US and Europe, continues its championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his Cleveland post, Mr. Welser-Möst is general music director of the Vienna State Opera.

    Under Mr. Welser-Möst's leadership, The Cleveland Orchestra has launched a series of residencies in important cultural locations around the world. These include residencies at Vienna's Musikverein and Switzerland's Lucerne Festival, as well as programs at the Lincoln Center Festival and Indiana University's Jacobs School of Music. The orchestra's annual residency in Miami, under the name Cleveland Orchestra Miami, features multiple weeks of concerts coupled with community activities (modeled on the orchestra's long-term educational programs in Cleveland) with more than a dozen partnerships across Miami-Dade organizations and educational institutions.

    Mr. Welser-Möst has led opera performances each season during his tenure in Cleveland. Following six opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the Mozart-Da Ponte operas and leads concert performances of Strauss's Salome this month.

    In addition to serving as general music director of the Vienna State Opera, Mr. Welser-Möst maintains an ongoing relationship with the Vienna Philharmonic Orchestra, with which he recently performed at the Lucerne Festival and Salzburg Festival, in Tokyo, and in concert at La Scala in Milan. He led that orchestra's annual New Year's concert in 2011, telecast worldwide, and has been invited to conduct it again in 2013. Across a decade-long tenure with the Zurich Opera, culminating in three seasons as general music director (2005-2008), he led the company in more than 40 new productions.

    Mr. Welser-Möst's recordings and videos have won international awards and two Grammy nominations. He has led The Cleveland Orchestra in video recordings of live performances of Bruckner's symphonies nos. 5, 7, 8, and 9. Together, they have released recordings of Wagner's Wesendonck Lieder (with soprano Measha Brueggergosman) and Beethoven's Ninth Symphony.

    Franz Welser-Möst has been recognized by the Western Law Center for Disability Rights and is an honorary member of the Vienna Singverein. Musical America named him the 2003 Conductor of the Year. He is the co-author of Cadences: Observations andConversations, published in a German edition in 2007.

    More Info

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    Yefim Bronfman


    Russian-American pianist Yefim Bronfman is regarded as one of the most talented piano virtuosos performing today. His commanding technique and exceptional lyrical gifts have won him consistent acclaim and enthusiastic audiences worldwide. Mr. Bronfman made his Cleveland Orchestra debut in April 1986. This season, from January through May, he spends four weeks with the orchestra, performing in Cleveland, Miami, and New York.

    Mr. Bronfman was born in 1958 in Tashkent, in the Soviet Union. After moving to Israel with his family in 1973, he worked with Arie Vardi at Tel Aviv University. Following his family's relocation to the United States in 1976, he studied at the Curtis Institute of Music, The Juilliard School, and Marlboro, with Rudolf Firkušný, Leon Fleisher, and Rudolf Serkin. Mr. Bronfman made his international debut in 1975 with the Orchestre symphonique de Montréal, and his New York Philharmonic debut in 1978. In 1991, he returned to Russia for the first time since emigrating to perform a series of joint recitals with Isaac Stern. That same year, Mr. Bronfman was awarded the Avery Fisher Prize.

    As a guest artist, Mr. Bronfman appears with the world's most esteemed ensembles, from North America's major orchestras to those of Amsterdam, Berlin, Dresden, Israel, London, Paris, Vienna, and Zurich, among others. He is a frequent guest at international summer festivals, and has served as artist-in-residence with Carnegie Hall and the Los Angeles Philharmonic, and as Artiste Étoile in Switzerland.

    A devoted chamber musician, Mr. Bronfman has collaborated with the Cleveland, Emerson, Guarneri, and Juilliard quartets, as well as the Chamber Music Society of Lincoln Center. He has also performed with Emanuel Ax, Joshua Bell, Lynn Harrell, Magdalena Kožená, Yo-Yo Ma, Shlomo Mintz, Jean-Pierre Rampal, Pinchas Zukerman, and many other artists, and presents solo recitals throughout Asia, Europe, and North America. In February, he performed a recital of Brahms chamber music in Cleveland with principal members of The Cleveland Orchestra.

    Mr. Bronfman's recordings are highly praised; his album of Bartók's three piano concertos won a 1997 Grammy, and his album featuring Esa-Pekka Salonen's Piano Concerto received a Grammy nomination. His discography also includes the complete Prokofiev piano sonatas and concertos, Beethoven's five piano concertos and Triple Concerto, Tchaikovsky's Piano Concerto No. 1, and sonatas by Bartók, Brahms, and Mozart recorded with Isaac Stern. Visit yefimbronfman.com for more information.

    More Info

Audio

Laterna Magica
Finnish Radio Symphony Orchestra | Sakari Oramo, Conductor
Ondine
Brahms Piano Concerto No. 2 in B flat major, Op. 83 (Allegretto grazioso)
Cleveland Orchestra; George Szell, Conductor; Leon Fleisher, Piano
Sony

At a Glance

JOHANNES BRAHMS  Piano Concerto No. 2 in B-flat Major, Op. 83

No composer had ever faced greater expectations than Brahms. Robert Schumann declared him the virtual Messiah of German music, and from then on, Brahms had to live with that forbidding prophecy hanging over him. But by the time of his Second Piano Concerto, he had more or less fulfilled Schumann's prophecy, producing historic masterpieces in each of the traditional genres; the Second Concerto was probably one of the most untroubled major efforts of his life.


KAIJA SAARIAHO 
Laterna magica  

Born in Helsinki, Kaija Saariaho studied at the Sibelius Academy, in Freiburg with the avant-gardists Brian Ferneyhough and Klaus Huber, and at the IRCAM research institute, where she developed techniques of computer-assisted composition and acquired fluency in working on tape and with electronics. Her 2008 work Laterna magica—which takes its title from the autobiography of the great Swedish film director Ingmar Bergman and refers to an early type of manual film projector—consists of shifting mirages of sound and referential sonic gestures.


DMITRI SHOSTAKOVICH 
Symphony No. 6 in B Minor, Op. 54  

Shostakovich had no objection to composing large-scale hymns to the Revolution, and he did just that in his early symphonies; however, the liberal artistic climate that had prevailed during the first decade or so of Soviet rule gave way to a new conservatism under Stalin, which caused Shostakovich to fall from his position as one of Soviet Russia's most esteemed artists to that of cultural pariah. In his Sixth Symphony, which was originally conceived as a tribute to Lenin, political or representative elements are entirely absent, and the work has become accepted as a strong and personal musical statement.

Program Notes

Watch


Kaija Saariaho introduces her Ingmar Bergman-inspired Laterna magica.

The Trustees of Carnegie Hall gratefully acknowledge the generosity of Mr. and Mrs. Daniel R. Lewis in support of the 2011-2012 season.
Kaija Saariaho is the holder of the 2011-2012 Richard and Barbara Debs Composer's Chair at Carnegie Hall.
Duff and Phelps 115 x
The Carnegie Hall Live broadcast series is sponsored by Duff & Phelps.
Macy's 95x
This Carnegie Hall Live broadcast is supported by Macy's.

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