CARNEGIE HALL PRESENTS
Performance
Friday, Oct 26, 2012 | 7:30 PM
Marlis Petersen
Jendrik Springer
"Das Ewig Weibliche Zieht Uns Hinan:" Goethe and The Eternal-Feminine
Weill Recital Hall
Seating
Chart
Marlis Petersen is “a sterling soprano … cool, smart, centered, captivating” (Los Angeles Times). She’s triumphed in Berg’s Lulu at the Met, and in her New York recital debut—which features songs by Beethoven, Schubert, Mendelssohn, and more—she demonstrates the enduring power that Goethe’s Romantic concept of the eternal feminine has held over composers for more than two centuries.
Performers
- Marlis Petersen, Soprano
New York Recital Debut
- Jendrik Springer, Piano
Program
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SCHUBERT
"Suleika I"
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FANNY MENDELSSOHN
"Die Liebende schreibt"
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MENDELSSOHN
"Die Liebende schreibt"
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WAGNER
"Gretchen am Spinnrade"
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BEETHOVEN
"Wonne der Wehmut"
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SOMMER
"Ach neige, du Schmerzenreiche"
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MEDTNER
"Vor Gericht"
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SOMMER
"Wanderer Nachtlied"
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EISLER
"Von Wolkenstreifen leicht befangen"
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BRUCH
"Morgenlied"
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KRENEK
"Monolog der Stella"
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DIEPENBROCK
"Mignon"
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TCHAIKOVSKY
"None but the Lonely Heart" (Mignon's Song)
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WOLF
"Philine"
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WOLF
Mignon I: "Heiss mich nicht redden"
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SCHUMANN
"So lasst mich scheinen"
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BRAUNFELS
"Die Trommel gerühret!"
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LISZT
"Freudvoll und leidvoll"
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MEDTNER
"Wandrers Nachtlied II"
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REUTTER
"Es ist gut"
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MANFRED TROJAHN
"Helena"
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BRAUNFELS
"Rastlose Liebe"
Audio
Mendelssohn's Singet dem Herrn, Op. 91, Psalm 98, Der Herr lasst sein Heil verkundigen
Stuttgart Bach Collegium | Helmuth Rilling, Conductor | Marlis Petersen, Soprano | Thomas Michael Allen, Tenor
Hansler Classics