CARNEGIE HALL PRESENTS
Performance Tuesday, Mar 9, 2010 | 8 PM

Mariinsky Orchestra

Stern Auditorium / Perelman Stage
Les Troyens is arguably Berlioz’s greatest masterpiece. Certainly it is his most ambitious opera, a grand panorama of antiquity, starting with the Trojan War and leading toward the legendary founding of Rome. Part I is a saga of blood and flames, burned into music with the scope and grandeur of an epic. The Greeks destroy Troy, and while the Trojan women die defiant, a small band of heroes flees toward a new destiny.

Performers

  • Alexander Nikitin, Baritone (A Trojan Soldier and A Greek Captain)
  • Alexei Markov, Baritone (Chorèbe)
  • Chorus of the Mariinsky Theater
    Andrei Petrenko, Chorus Master
  • Ekaterina Gubanova, Mezzo-Soprano (Cassandre)
  • Elena Vitman, Mezzo-Soprano (Hécube)
  • Irina Mataeva, Soprano (Ascagne)
  • Mariinsky Orchestra
    Valery Gergiev, Music Director and Conductor
  • Sergei Semishkur, Tenor (Enée)
  • Timur Abdikeyev, Bass (Priam)
  • Vadim Kravets, Bass (Panthée)
  • Yuri Vorobiev, Bass (Ghost of Hector)
  • Yury Alexeyev, Tenor (Helenus)

Program

  • BERLIOZ Les Troyens, Part I: The Siege of Troy, Op. 5

  • Program is approximately 1 hour, 15 minutes, and will be performed without intermission

Bios

  • Alexander Nikitin, Baritone

    Alexander Nikitin graduated from the St. Petersburg State Rimsky-Korsakov Conservatoire in 1993. As a soloist, he has appeared with the St. Petersburg Chamber Opera Company and the Zazerkalye Children's Music Theatre. He made his debut with the Mariinsky Theatre in 2002 as the Old Man in Sadko; subsequent roles have included Shchelkalov in Boris Godunov, the Venetian Merchant in Sadko, Napoleon in War and Peace, Melitone in La forza del destino, Bonze in Madama Butterfly, and the Mandarin in Turandot. Additional repertoire includes the title roles in Prince Igor and Nabucco, Gryaznoi in The Tsar's Bride, Robert in Iolanta, Conte di Luna in Il trovatore, and Valentin in Faust. Mr. Nikitin has appeared in Spain, Germany, Israel, and the US with the Mariinsky Opera Company, and has toured independently to Switzerland and Finland.
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  • Daniil Shtoda, Tenor

    Born in St. Petersburg, Daniil Shtoda graduated from the Academic Glinka Capella. At age 13, he performed the role of Tsarevich Fyodor in Boris Godunov at the Mariinsky Theatre. He graduated from the St. Petersburg State Rimsky-Korsakov Conservatoire in 2000, and has been a Mariinsky Theatre soloist since 2007. Mr. Shtoda's repertoire includes Elvino in La sonnambula, Vaudémont in Iolanta, Lensky in Eugene Onegin, Tsar Berendey in The Snow Maiden, the Duke in Rigoletto, Alfredo in La traviata, Count Almaviva in Il barbiere di Siviglia, the Prince in The Love for Three Oranges, Don Ottavio in Don Giovanni, and Count Libenskof in Il viaggio a Reims. Mr. Shtoda has toured with the Mariinsky Opera Company and independently to Spain, Israel, Slovenia, Croatia, Austria, Germany, the Netherlands, the UK, France, Belgium, Italy, and the US, including performances at Carnegie Hall in 2002. Recordings include The Russian Programme on the Delos label. Highlights of recent seasons include Guidon in a new production of Rimsky-Korsakov's The Tale of Tsar Saltan at the Mariinsky Theatre, and his debut at the Los Angeles Opera and Hamburg Opera as Fenton in Falstaff. Upcoming engagements include Nadir in Les Pêcheurs de perles in concert at Carnegie Hall and Lensky in Eugene Onegin at the Britten Festival (UK).
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  • Ekaterina Gubanova, Mezzo-Soprano

    Mezzo-soprano Ekaterina Gubanova became a member of the Young Artists Program at the Royal Opera House, Covent Garden, at the age of 23. Engagements this season include Giulietta in Les Contes d'Hoffmann at the Metropolitan Opera, Brangäne in Tristan und Isolde at the Staatsoper Berlin, the Verdi Requiem with the Los Angeles Philharmonic, and Jocasta in concert performances of Oedipus Rex with Esa-Pekka Salonen in London, Stockholm, and Brussels. Other career highlights include Neris in Médée in Brussels; Brangäne in Tristan und Isolde at the Paris Opera, the Festpielhaus Baden-Baden, and at the Rotterdam Festival, the Third Lady in Die Zauberflöte, Flosshilde in Das Rheingold, Olga in Eugene Onegin, and Beethoven's Missa solemnis at the Salzburg Festival; Amneris in Aida with Munich's Bayerische Staatsoper and on tour with La Scala in Tel Aviv and Tokyo; and Eboli in Don Carlo, Lyubasha in Rimsky-Korsakov's The Tsar's Bride, and Marguerite in La Damnation de Faust at St. Petersburg's Stars of the White Nights Festival. Concert appearances include performances as Jocasta in Oedipus Rex in London, Stockholm, and Brussels under Esa-Pekka Salonen; Mahler's Das Lied von der Erde in Paris, Moscow, and Dublin; Mahler's Rückert Lieder in Wiesbaden; and songs from Des Knaben Wunderhorn in Rotterdam. She made her Metropolitan Opera debut in 2007 as Hélène Bezukhova in Prokofiev's War and Peace.
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  • Elena Vitman, Mezzo-Soprano

    Born in the Russian Far East, Elena Vitman graduated from the St. Petersburg Rimsky-Korsakov State Conservatoire, and since 1996 has been a soloist at the Mariinsky Theatre, where she made her debut as Lyubava in Rimsky-Korsakov's Sadko. Other roles include the Hostess of the Inn in Boris Godunov; Konchakovna in Prince Igor; Tamara's Nanny in Anton Rubinstein's The Demon; Olga and the Nanny in Eugene Onegin; Lyubov in Mazeppa; Pauline, the Countess, and the Governess in The Queen of Spades; Frosya in Semyon Kotko; Maria Bolkonskaya in War and Peace; the Old Countess and Podtochina in The Nose; Preziosilla in La forza del destino; the Abbess and the Princess in Suor Angelica; Suzuki in Madama Butterfly; Siebel in Faust; Mary in Der fliegende Holländer; Erda in Das Rheingold; Grimgerde and Rossweisse in Die Walküre; Erda, the First Norn, and Waltraute in Götterdämmerung; Clytemnestra in Elektra; Amneris in Aida; Eboli in Don Carlo; Ulrica in Un ballo in maschera; and Princess de Bouillon in Adriana Lecouvreur, as well as Prokofiev's Alexander Nevsky, Pergolesi's Stabat Mater, and Verdi's Requiem. Ms. Vitman has toured with the Mariinsky Theatre to the UK (Royal Opera House, Covent Garden and Barbican Centre), Spain (Teatro Real), Germany (Baden-Baden), Israel, Japan, and the US (Kennedy Center).
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  • Irina Mataeva, Soprano

    Born in Tyumen, Irina Mataeva graduated from the St. Petersburg State Rimsky-Korsakov Conservatoire in 1999. She has been a soloist with the Mariinsky Academy of Young Singers since 1998, and a soloist at the Mariinsky Theatre since 2007. Her repertoire includes Tatiana in Tchaikovsky's Eugene Onegin, Louisa in Prokofiev's Betrothal in a Monastery, Natasha Rostova in War and Peace, Serpina in La serva padrona, Lisa in La sonnambula, Mimì in La bohème, Lauretta in Gianni Schicchi, Concepción in L'Heure espagnole, Desdemona in Otello, Micaëla in Carmen, Barbarina and Susanna in Le nozze di Figaro, Zerlina in Don Giovanni, Despina in Così fan tutte, and the title role in Jenůfa. She has performed Prilepa in The Queen of Spades in Los Angeles and Micaëla in Carmen at the Washington Opera with Plácido Domingo conducting. Ms. Mataeva made her Metropolitan Opera debut as Tatiana in Eugene Onegin. In 2005 at the Opéra de Marseilles she participated in a production of Tomasi's Sampiero Corso (performing as Vannina). She has performed in concert in London, Milan, Bordeaux, Bruges, Biarritz, San Francisco, and at the Teatro Colón in Buenos Aires. With the Mariinsky Theatre, she has toured to Finland, China, the UK (Royal Opera House, Covent Garden), Germany, Italy (La Scala), and the US (Metropolitan Opera).
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  • Valery Gergiev

    Valery Gergiev's inspired leadership as Artistic and General Director of the Mariinsky Theatre since 1988 has taken Mariinsky ensembles to 45 countries—presenting the best of Russian operas and ballets, as well as the complete Shostakovich and Prokofiev symphonies and Wagner's Ring cycle—and has brought universal acclaim to this legendary institution, now in its 226th season.

    The Mariinsky Label's releases in the first year include Shostakovich's The Nose and Symphonies Nos. 1 and 15, a Tchaikovsky disc of short pieces, Shchedrin's The Enchanted Wanderer, and Rachmaninoff's Piano Concerto No. 3 and "Paganini" Variations. The label's first two recordings received five Grammy Award nominations, including Best Opera Recording and Best Classical Album (The Nose) and Best Orchestral Performance (Symphonies 1 and 15), as well as additional nominations for engineering and production.

    Presently Principal Conductor of the London Symphony Orchestra, Mr. Gergiev is also founder and Artistic Director of the Stars of the White Nights and New Horizons festivals in St. Petersburg, the Moscow Easter Festival, the Gergiev Rotterdam Festival, the Mikkeli Music Festival, and the Red Sea Festival in Israel. He succeeded Sir Georg Solti as conductor of the World Orchestra for Peace in 1998.

    Born in Moscow, Mr. Gergiev studied conducting with Ilya Musin at the Leningrad Conservatory. At age 24, he was the winner of the Herbert von Karajan Conductors' Competition in Berlin, and made his Mariinsky Opera debut one year later in 1978, conducting Prokofiev's War and Peace. In 2003, he led St. Petersburg's 300th anniversary celebrations and opened the Carnegie Hall season with the Mariinsky Orchestra, the first Russian conductor to do so since Tchaikovsky conducted the Hall's inaugural concert in 1891.

    Highlights of the 2008–2009 season included a Prokofiev cycle at Lincoln Center, a cycle of Prokofiev symphonies and concertos with the London Symphony Orchestra in Paris and Tokyo, and the Mariinsky Theatre's production of Wagner's Ring at Covent Garden, London.

    In the 2009–2010 season, Maestro Gergiev conducts Berlioz's Les Troyens in St. Petersburg, Valencia, and at Carnegie Hall. He also conducts the New York Philharmonic in a three-week Stravinsky festival, presents a Mariinsky Shostakovich cycle in Vienna, leads works of Henri Dutilleux with the London Symphony, and conducts Shostakovich's The Nose at the Metropolitan Opera. In the 2010–2011 season, he offers a Mahler cycle in London, New York, Paris, and Japan.

    Maestro Gergiev is the recipient of a Grammy Award, the Dmitri Shostakovich Award, Golden Mask Award, People's Artist of Russia Award, the World Economic Forum's Crystal Award, Sweden's Polar Music Prize, Netherlands's Knight of the Order of the Dutch Lion, Japan's Order of the Rising Sun, Valencia's Silver Medal, the Herbert von Karajan Prize, and France's Royal Order of the Legion of Honor.

    Mr. Gergiev's recordings of Mahler's Symphonies Nos. 1, 2, 3, 6, 7, and 8 have been released on LSO Live, as part of a complete recorded Mahler cycle. Future LSO Live recordings will include Bartók's Bluebeard's Castle and Prokofiev's complete Romeo and Juliet.



    Mariinsky Orchestra

    The Orchestra of the Mariinsky Theatre—which celebrated the theater's 225th Anniversary in 2008—enjoys a long and distinguished history as one of the oldest musical institutions in Russia. Founded in the 18th century during the reign of Peter the Great, the orchestra entered its "golden age" in the second half of the 19th century under the musical direction of Eduard Nápravnik (1863 to 1916).

    The theater's many highlights include the world premiere of Verdi's La forza del destino, as well as the first Russian performances of Wagner's Ring cycle, Tristan und Isolde, Die Meistersinger von Nürnberg, and Parsifal; Richard Strauss's Elektra, Salome, and Der Rosenkavalier; and Berg's Wozzeck. Numerous internationally famed musicians have conducted the orchestra, among them Hans von Bülow, Felix Mottl, Felix Weingartner, Alexander von Zemlinsky, Otto Nikisch, Willem Mengelberg, Otto Klemperer, Bruno Walter, Erich Kleiber, Hector Berlioz, Richard Wagner, Gustav Mahler, and Arnold Schoenberg.

    Renamed the Kirov during the Soviet era, the orchestra continued to maintain its high artistic standards under the leadership of Yevgeny Mravinsky and Yuri Temirkanov. The theater recently reclaimed the Mariinsky name and, under the leadership of Valery Gergiev, has forged important relationships with the world's greatest opera houses and concert halls.

    Under the baton of Valery Gergiev, the orchestra recorded exclusively for Universal Philips and Decca Classics since 1989. Since 1992, the orchestra has made 14 tours of North America, including a 2006 celebration of the complete Shostakovich symphonies and a 2008 cycle of the stage works of Prokofiev.

    November 2006 marked the grand opening of the orchestra's new home at the Mariinsky Theatre Concert Hall. The only theater and concert venue of its kind in Russia, the hall is on the site of the historic Set Workshop, which served the Mariinsky for over a century and created some of its most famous productions. The hall's acoustics, the work of Yasuhisa Toyota, have brought accolades ranking it alongside the world's finest modern concert venues.

    The orchestra currently records on its Mariinsky Label; recent releases include Shostakovich's The Nose and Symphonies Nos. 1 and 15, works by Tchaikovsky, and Rachmaninoff's Piano Concerto No. 3 and "Paganini" Variations. The label's first two recordings received five Grammy nominations.
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  • Sergei Semishkur, Tenor

    Sergei Semishkur was born in Kirov and graduated from the Nizhny-Novgorod State Glinka Conservatoire in 2003. He became a soloist with the Mariinsky Academy of Young Singers the same year, and has been a Mariinsky Theatre soloist since 2007. His repertoire includes Vladimir Igorevich in Prince Igor, Kuzka in Khovanshchina, Lykov in The Tsar's Bride, Guidon in The Tale of Tsar Saltan, Lensky in Eugene Onegin, Chekalinsky in The Queen of Spades, the First Croupier in The Gambler, Truffaldino in The Love for Three Oranges, Edgardo and Arturo in Lucia di Lammermoor, the Duke in Rigoletto, Cassio in Otello, Rodolfo in La bohème, the title role in Benvenuto Cellini, the Steersman in Der fliegende Holländer, Froh in Das Rheingold, Brighella in Ariadne auf Naxos, Steva in Jenůfa. Lensky in Eugene Onegin, King Charles VII in The Maid of Orleans, Vaudémont in Iolanta, Alfredo in La traviata, Fenton in Falstaff, Ubalde in Armida e Rinaldo, and Ferrando in Così fan tutte. Concert performances include the Mozart and Verdi requiems, Haydn's Mass in G Major and The Seasons, Schubert's Mass in G Major, Rossini's Stabat Mater, and Stravinsky's Les noces. Mr. Semishkur has performed throughout Spain, France, Sweden, Switzerland, Poland, Finland, Luxembourg, the UK, Austria, the US, and Israel.
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  • Vadim Kravets, Bass

    Vadim Kravets graduated from the St. Petersburg State Rimsky-Korsakov Conservatoire. He became a soloist with the Mariinsky Academy of Young Singers in 2000, and joined the Mariinsky Opera Company in 2007. His repertoire at the Mariinsky Theatre includes Ruslan in Ruslan and Lyudmila, Prince Galitsky in Prince Igor, Rangoni in Boris Godunov, Father Frost in The Snow Maiden, Tsar Saltan in The Tale of Tsar Saltan, Bedyay in Rimsky-Korsakov's The Legend of the Invisible City of Kitezh and the Maiden Fevroniya, the title role in Aleko, Leandro in The Love for Three Oranges, Lord Sidney in Il viaggio a Reims, Oroveso in Norma, Raimondo in Lucia di Lammermoor, the title role in Don Pasquale, Samuel in Un ballo in maschera, Padre Guardiano in La forza del destino, the Monk in Don Carlo, Ramfis in Aida, Escamillo in Carmen, Fasolt in Das Rheingold, the Wanderer in Siegfried, Orest in Elektra, and the title roles in Le nozze di Figaro, Don Giovanni, and Der fliegende Holländer.
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  • Yuri Vorobiev, Bass

    Born in St. Petersburg, Yuri Vorobiev graduated from the Academic Glinka Capella in 1998, and subsequently studied at the St. Petersburg State Rimsky-Korsakov Conservatoire. He became a soloist with the Mariinsky Academy of Young Singers in 2002, and has been a soloist with the Mariinsky Opera since 2009. His repertoire includes Svetozar in Ruslan and Lyudmila; Podkolysin in The Marriage; Happy Lad in Boris Godunov; Surin in The Queen of Spades; Bertrand in Iolanta; Cook in The Love for Three Oranges; Father Benedictine, Miguel, and Mendoza in Betrothal in a Monastery; the Yard-Keeper, On-Duty Policeman, and Heyduck in The Nose; Zosima in The Brothers Karamazov; Antonio and Don Prudenzio in Il viaggio a Reims; the High Priest of Baal in Nabucco; Count Ceprano and Sparafucile in Rigoletto; Grenvil in La traviata; Pietro in Simon Boccanegra; the Marquis Calatrava in La forza del destino; the Monk in Don Carlo; Pistola in Falstaff; Angelotti in Tosca; Narbal in Les Troyens; Zuniga in Carmen; the Voice of the Oracle of Neptune in Idomeneo; Masetto in Don Giovanni; Sarastro in Die Zauberflöte; Truffaldino in Ariadne auf Naxos, and the Archbishop in King Roger. In 2009, Mr. Vorobiev performed Burunday in The Legend of the Invisible City of Kitezh and the Maiden Fevroniya at a commemorative Gogol festival and the Moscow Easter Festival.
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  • Yury Alexeyev, Tenor

    Yury Alexeyev was born in Krasnoyarsk and graduated from the Rostov State Rachmaninoff Conservatoire in 1991. The same year, he joined the Voronezh Opera and Ballet Theatre, where his repertoire included Alfredo in La traviata, Lensky in Eugene Onegin, the Young Gypsy in Aleko, and Turiddu in Cavalleria rusticana. Mr. Alexeyev joined the Mariinsky Opera in 1996, making his debut as Alfredo in La traviata. Other roles include the Pretender in Boris Godunov, Vladimir Igorevich in Prince Igor, Lensky in Eugene Onegin, Chekalinsky in The Queen of Spades, Iskra in Mazepa, Gryaznoy in The Tsar's Bride, the title role in Oedipus Rex, Jakob Glok in Prokofiev's The Fiery Angel, Antonio in Betrothal in a Monastery, Arturo in Lucia di Lammermoor, the title role in Nabucco, Macduff in Macbeth, Riccardo in Un ballo in maschera, the title role in Don Carlo, Radames in Aida, Cassio in Otello, Pinkerton in Madama Butterfly, Luigi in Il tabarro, Calaf in Turandot, Don José in Carmen, Arabace in Idomeneo, Melot in Tristan und Isolde, and Laca in Jenůfa. Concert performances include Schubert's masses and the Mozart and Verdi requiems. Mr. Alexeyev has toured with the Mariinsky Opera to Finland, the US, Japan, Portugal, Luxembourg, Spain, and China, and has performed recitals in Ireland (Wexford Festival), Spain (Festival de Peralada), and the Netherlands.
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This concert is underwritten by Yoko Nagae Ceschina.
This performance is part of the series.

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