Jeremy Denk
American pianist Jeremy Denk has steadily established himself as one of the most versatile and compelling artists of his generation. With an unusually broad repertoire, he has appeared as soloist with many major orchestras, including The Philadelphia Orchestra, the San Francisco Symphony, the Saint Louis Symphony, the Atlanta Symphony, and London’s Philharmonia Orchestra, among others. He also can be seen regularly in recital in New York, Washington, Boston, and Philadelphia.
During the 2009–2010 season, Mr. Denk performs concertos by Beethoven, Chopin, Copland, Mozart, Rachmaninoff, and Schumann and makes debuts with the Boston Symphony Orchestra at Tanglewood, the Mostly Mozart Festival at Lincoln Center, and the Bravo! Vail Valley Music Festival with The Philadelphia Orchestra. In addition, he will make his London Symphony Orchestra debut performing Stravinsky’s Concerto for Piano and Wind Instruments with John Adams in both London and Paris.
Mr. Denk is an avid chamber musician. He has collaborated with many of the world’s finest string quartets, and he has appeared at the Italian and American Spoleto festivals, the Santa Fe and Seattle chamber music festivals, and at the Verbier Festival. He has spent several summers at the Marlboro Music School and Festival in Vermont and has been part of Musicians from Marlboro national tours.
Mr. Denk maintains working relationships with a number of living composers, including Jake Heggie, Libby Larsen, Kevin Puts, and Ned Rorem. In 2002, he recorded Tobias Picker’s Second Piano Concerto with the Moscow Philharmonic. He also worked closely with composer Leon Kirchner on many of his last compositions, recording his Sonata No. 2 in 2001.
After graduating from Oberlin College and Conservatory with degrees in piano and chemistry, Mr. Denk earned a master’s degree in music from Indiana University as a pupil of György Sebök, and a doctorate in piano performance from The Juilliard School, where he worked with Herbert Stessin. Visit jeremydenk.net, where Mr. Denk blogs on topics both musical and tangential.
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