CARNEGIE HALL PRESENTS
Performance Friday, Feb 12, 2010 | 7:30 PM

Dave Douglas Young Artists Concert

Zankel Hall
This is the culminating performance by the participants of the Dave Douglas Professional Training Workshop, in which 11 emerging composer-performers explore new collaborative works and improvisation with Douglas and guests Uri Caine and Clarence Penn. This concert premieres works written and rehearsed by participants during the workshop.

Performers

  • Chad Lefkowitz-Brown, Saxophone
  • Dan Peck, Tuba
  • Eden Bareket, Baritone Saxophone
  • Hui-Chun Lin, Cello
  • Johannes Dickbauer, Violin
  • Kristijan Krajncan, Drums
  • Linda Oh, Bass
  • Nadje Noordhuis, Trumpet
  • Philip Dizack, Trumpet
  • Rizpah Lowe, Harp
  • Sam Harris, Piano

Bios

  • Workshop Leader

    Dave Douglas


    Two-time Grammy-nominated jazz musician Dave Douglas is arguably the most prolific and original trumpeter-composer of his generation. From his New York base, where he's lived since the mid-1980s, Mr. Douglas has continued to earn lavish national and international acclaim including prizes from such organizations as the New York Jazz Awards, Down Beat, JazzTimes, Jazziz, and the Italian Jazz Critics' Society. His solo recording career began in 1993 with Parallel Worlds on Soul Note Records, and he has since released more than 30 recordings. In 2005, after seven critically acclaimed albums for Bluebird/RCA, Mr. Douglas launched his own record label, Greenleaf Music. The same year, he was honored with a Guggenheim Fellowship. On Greenleaf, Mr. Douglas has released albums with his long standing quintet, the electronic sextet Keystone, and the mixed chamber ensemble Nomad. In 2009, he released Spirit Moves with his new brass quintet Brass Ecstasy, and his first big band recording, A Single Sky, a collaboration with Jim McNeely and Frankfurt Radio Bigband. This year brings a new work by Keystone entitled Spark of Being, a retelling of the Frankenstein myth in collaboration with award-winning filmmaker Bill Morrison.

    Mr. Douglas is currently the artistic director of the Workshop in Jazz and Creative Music at The Banff Centre in Canada and the co-founder and director of the Festival of New Trumpet Music, which will celebrate its eighth anniversary in 2010. In addition to leading his own groups, Mr. Douglas has an important ongoing musical relationship as a member of John Zorn's group Masada, and with artists such as Anthony Braxton, Don Byron, Joe Lovano, Miguel Zenón, Uri Caine, Bill Frisell, Cibo Matto, Mark Dresser, Han Bennink and Misha Mengelberg. As a composer, Mr. Douglas has been commissioned by the Trisha Brown Dance Company, Birmingham Contemporary Music Group, Norddeutscher Rundfunk, Essen Philharmonie, Library of Congress, and Stanford University.



    Guest Faculty

    Uri Caine

    Uri Caine was born in Philadelphia and began studying piano with Bernard Peiffer. He played in bands led by Philly Joe Jones, Hank Mobley, Johnny Coles, Mickey Roker, Odean Pope, Jymmie Merritt, Bootsie Barnes, and Grover Washington. He attended the University of Pennsylvania and studied composition with George Rochberg and George Crumb.

    Since moving to New York City, Mr. Caine has recorded 19 albums as a leader, the most recent of which is The Othello Syndrome. He has made CDs featurning his jazz trio, his Bedrock Trio, and an ensemble performing arrangements of Mahler, Wagner, Beethoven, Bach, and Schumann.

    Recently, Mr. Caine has received commissions from the Vienna Volksoper, the Seattle Chamber Players, Relache, the Beaux Arts Trio, the Basel Chamber Orchestra, Concerto Köln, and the American Composers Orchestra. Mr. Caine was the director of the Venice Biennale for Music in September 2003, where he also premiered his new work The Othello Syndrome. He has performed his version of Beethoven's Diabelli Variations with orchestras including The Cleveland Orchestra, the Moscow Chamber Orchestra, the CBC Orchestra in Canada, and the Swedish Chamber Orchestra. In 2006, he was named composer-in-residence for the Los Angeles Chamber Orchestra and premiered his Concerto for Two Pianos and Chamber Orchestra with Jeffrey Kahane in May 2006.

    Mr. Caine has received grants from the Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Pew Foundation. He has performed at
    many festivals including the North Sea Jazz Festival, Montreal Jazz Festival, Monterey Jazz Festival, JVC Festival, San Sebastian Jazz Festival, Vittoria Jazz Festival, Newport Jazz Festival, Salzburg Festival, Holland Festival, Israel Festival, IRCAM, and Great Performers at Lincoln Center.



    Clarence Penn

    Clarence Penn ranks high among drummers who are versatile and savvy enough to play any style of music. Having played in a semi-professional capacity since the age of 15, Mr. Penn has toured, performed, and recorded with a long list of musical stars, including Betty Carter, Ellis Marsalis, Wynton Marsalis, Jacky Terrasson, Roberta Flack, Dizzy Gillespie, Dianne Reeves, Cyrus Chestnut, Stephen Scott, Steps Ahead, Dave Douglas, Mike Stern, and Rachel Z. He is one of the most sought after drummers of his generation.

    In 1989, Mr. Penn received a grant from the National Endowment for the Arts to study with the late, renowned drummer Alan Dawson. In addition, Mr. Penn was asked by Ellis Marsalis to join his trio. The following year, Mr. Penn traveled with Ellis and Wynton Marsalis and bassist Reginald Veal to Japan to perform at the famous Mt. Fuji Jazz Festival. There, Mr. Penn met Lewis Nash, who was impressed enough with Mr. Penn's talent to recommended him to Betty Carter during one of her many searches for talented musicians. Mr. Nash gave Mr. Penn such a glowing recommendation that Ms. Carter hired him without an audition.

    After remaining with Ms. Carter for several years, Mr. Penn went on to play with Stanley Clarke, and soon after, he became part of the Cyrus Chestnut Trio and the Stephen Scott Trio. In 1995, Mr. Penn joined the popular fusion group Steps Ahead, recording two albums, one of which included his own composition. In 1996, the independent label Criss Cross Jazz invited Mr. Penn to record his first album as a bandleader, entitled Penn's Landing. Soon after its release, the New York Times named it one of the best records of the year.



    The Participants

    Chad Lefkowitz-Brown, Saxophones

    When up-and-coming saxophonist Chad Lefkowitz-Brown first started playing saxophone, he would practice right after waking up around noon. His home-schooled days, which spanned from kindergarten until the seventh grade, allowed him to live on a jazz musician's schedule at a very early age. By age 10, Chad won his first Down Beat Student Music Award; since then he has won 12 more in numerous categories, from Best High School Jazz Soloist to Best College Group (for his work in the Brubeck Institute Jazz Quintet).

    While in high school, Chad was one of two tenor saxophonists from North America selected for the 2008 Gibson/Baldwin Grammy High School Jazz Ensemble, the Next Generation Jazz Orchestra, and the Jazz Band of America. In addition to performing in these prestigious groups, he studied at exclusive summer programs including the Brubeck Summer Jazz Colony and the Vail Summer Jazz Workshop, where he worked with such jazz greats as Lewis Nash, the Clayton Brothers, Terell Stafford, and Frank Morgan. Through the Brubeck Fellowship Program, a two-year collegiate program for students who have just graduated from high school, Chad has had the opportunity to work with more jazz icons, including Jeff Ballard, Geoffrey Keezer, and Ray Drummond. Chad also has worked with jazz legends in performing situations, sharing the stage with some of the most influential names in jazz, including McCoy Tyner, Dave Brubeck, Christian McBride, and Phil Woods.
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  • Dan Peck, Tuba

    Dan Peck is a tubist, multi-instrumentalist, and creative artist currently living and working in New York City. Since his move there in 2005, Dan has been active as a soloist, improviser, creative performer, composer, and artistic collaborator in a wide variety of settings. He has premiered solo tuba works by Robert Sirota, Craig Woodward, and Ignacio Baca-Lobra, and he has played solo recitals at St. Bartholomew's Church, Merkin Concert Hall, and The Stone. In group settings, Dan has worked with conductors James Levine and Herbert Blomstedt, composers Anthony Braxton and Bruce Neely, and New York luminaries Dave Taylor and Dave Liebman. Dan has played with Alarm Will Sound, Second Instrumental Unit, New World Symphony, and the Tanglewood Festival Orchestra, among others.

    Dan is a member of the International Contemporary Ensemble, a first-class group playing and premiering works of the 20th century, and he plays in Grandpa Musselman & His Syncopators, a jazz band playing classics of the 1920s era. He also leads his own trio, with bassist Tom Blancarte and drummer Brian Osborne, which focuses on improvisation and Dan's compositions.

    Currently, Dan is enjoying meeting and playing with all kinds of creative people in New York. He looks forward to collaborating with the composers of today and tomorrow in order to bring the tuba into more solo and chamber contexts, and he has a specific interest in multi-disciplinary works of music and art. He attended Manhattan School of Music and the Mason Gross School of the Arts at Rutgers University, where he received the Presser Foundation Award.
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  • Eden Bareket, Baritone Saxophone

    Eden Bareket was born in 1987 in Argentina and was raised in Israel. He started playing the alto saxophone at age nine because he was inspired by the jazz music his father played in the house. At age 14 he started performing live on a regular basis, and at age 15 he was invited to play the baritone saxophone in a saxophone quartet. He immediately fell in love with the sound of this unique instrument and knew from that moment he would become a baritone sax player.

    To pursue his interest, he started studying at the Israeli Conservatory of Music, Tel Aviv, under both America-Israel Cultural Foundation and Ran Baron Memorial scholarships. At the conservatory, he studied arrangement, composition, and performance with such Israeli jazz masters as Erez Bar-Noy, Yuval Cohen, Amit Golan, Avishai Cohen, Amos Hoffman, Ofer Ganor, Danny Rosenfeld, and more. During this time, he also excelled in his piano studies and played with the conservatory's big band, octet, and other small ensembles.

    In 2008, Eden earned a scholarship to Berklee College. In 2009, he participated in the Workshop in Jazz and Creative Music at The Banff Centre in Canada, where he studied and played with Dave Douglas, Joshua Redman, Don Byron, Clarence Penn, Matt Penman, and many more. Today, Eden composes, arranges, and performs his own music, and he intends to continue expanding his career as a musician.
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  • Hui-Chun Lin, Cello

    Hui-Chun Lin was born in 1979 in Taiwan. She studied classical piano and cello education at the Hochschule für Musik Carl Maria von Weber, Dresden, with Peter Bruns and completed postgraduate studies in improvisation with Tilo Augsten at the Hochschule für Musik und Theater Leipzig. She has worked as a solo cellist and ensemble musician in various styles, including improvisation, theater music, contemporary music, dance performance, classical music, and world music. In 2006, she participated in a workshop with Yo-Yo Ma & The Silk Road Ensemble at Carnegie Hall, and in 2007, she performed with Beat Freisens Spelunkenorchester at the Leipziger Jazztage festival. She has lectured on improvisation at the University of Music and Theater in Leipzig and taught an improvisation class at a middle school in Tainan, Taiwan, in 2008–2009. In January, she performed with the Bayerischer Rundfunk as part of the world music series Passagen.
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  • Johannes Dickbauer, Violin

    Johannes Dickbauer is a versatile musician and exercises his musical creativity as a soloist, chamber musician, quartet-member, and jazz musician, as well as a composer and arranger. He has won prizes at the international Concours International De Violon Sion Valais competition in Switzerland and at the Musica Juventutis competition in Vienna, which resulted in his Vienna Konzerthaus debut.

    As a soloist, Johannes performs regularly with various orchestras. He has played with the Vienna Chamber Philharmonic, the Dohnányi Orchestra Budafok with conductor Shlomo Mintz, and the Vienna Chamber Orchestra conducted by violin legend Sir Yehudi Menuhin.

    Since November 2006, Johannes has been a member of the Radio String Quartet, which has found a distinctive niche in the European jazz scene. At their debut concert at the JazzFest Berlin they were discovered by the Munich-based record label ACT, which released their first album, Celebrating the Mahavishnu Orchestra, six months later. The CD received the Austrian Pasticcio Prize as well as the Deutsche Schallplatten Prize. The quartet is now working on its third album, with Swedish singer Rigmor Gustafsson, which will be released in March and followed by a European tour.

    Johannes recently received the Austrian START-Stipendium, a grant to help young artists establish themselves as professional musicians. He is a graduate of the Curtis Institute of Music in Philadelphia, where he studied with Pamela Frank.
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  • Kristijan Krajncan, Drums

    Kristijan Krajncan started his musical life playing cello and received many awards from competitions in his native Slovenia and abroad. Soon he became more interested in jazz and began playing the drums. He finished his drum studies summa cum laude in 2009 at the Prince Claus Conservatoire in the Netherlands. His composition Decision to make received the Jazzon Award for best Slovenian jazz composition in 2006.

    In the spring of 2008, Kristijan spent half a year in New York as part of an exchange program and studied drums with John Riley, Joey Baron, Richie Morales, and others. In September 2008, he was invited as a drummer and composer to play with Big Band RTV Slovenia on the Evening of European Jazz led by conductor Lojze Krajncan.

    The same year, he participated in the finals of the Dutch Jazz Competition (at the North Sea Jazz Festival) as a part of the Anne Guus Teerhuis Trio. This year the trio won the YPF Jazz Piano Concours in Amsterdam and released an album in January on Challenge Records. Kristijan also is leading his own group, with whom he soon will release his first album as a leader.

    Kristijan is also a film director and has won several prizes with his first short film Augenblick, from 2004. In 2005, he shot another movie, Diskretni sarm ida, and he made a third in 2006, Menuet for Umbrella.
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  • Linda Oh, Bass

    Born in Malaysia, raised in Western Australia, and now living in New York City, Linda began playing piano, bassoon, and electric bass before starting upright bass in 2002 at the Washington Academy of Performing Arts, where she graduated with first-class honors. Linda was a James Morrison Scholarship finalist in 2003, and in 2004 she was an International Association for Jazz Education Sister in Jazz. She received the American Society of Composers, Authors, and Publishers Young Jazz Composer’s award in 2008 and an honorary mention at the Thelonious Monk International Bass Jazz Competition in 2009.

    Linda completed her master’s degree at Manhattan School of Music in 2008, studying with Jay Anderson, John Riley, Phil Markowitz, Dave Liebman, and Rodney Jones. She now teaches in the pre-college division there and conducts jazz videoconference master classes for high schools around the US. She is an active double bassist, electric bassist, and composer, having written music for short films including the Student Academy Award nominated film Wian Bu. Linda has performed with Slide Hampton, T. S. Monk, Nathan Davis, James Morrison, Tony Gould, George Cables, Nasheet Waits, Max Sharam, J. D. Walter, Joel Frahm, Billy Kilson, Steve Wilson, and Billy Childs. She has just released her debut trio album, Entry, with Obed Calvaire and Ambrose Akinmusire, and it has received rave reviews.
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  • Nadje Noordhuis, Trumpet

    Trumpet and flugelhorn player Nadje Noordhuis produces a unique sound characterized by a warm, rich tone and a lyrical approach to improvisation. Based in New York since 2003, Nadje has assembled a number of ensembles that play in a variety of settings, from intimate jazz clubs to formal concert series. Her trumpet, bass, and drums trio combines an eclectic repertoire of original works that are high in energy and intensity, whereas her quintet seduces the audience with melodic compositions written for a lineup of trumpet, violin, piano, bass, and percussion.

    Nadje is a member of Darcy James Argue's acclaimed Secret Society, a steampunk-inspired big band, as well as many other young composers' large ensembles based in New York City. She is a regular member of Sherrie Maricle's renowned Diva Jazz Orchestra, a dynamic ensemble voted in 2006 as one of the best big bands in the world in Down Beat magazine's annual Critics and Readers Polls.

    Nadje was selected as one of 10 international semi-finalists for the 2007 Thelonious Monk International Jazz Trumpet Competition. Nadje also was awarded a 2009 commission to perform a set of her original pieces at the Festival of New Trumpet Music in New York. She is currently working towards releasing her debut album later this year.
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  • Philip Dizack, Trumpet

    Philip Dizack, a native of Milwaukee, Wisconsin, began playing the trumpet at age 10. In 2003, while attending the Milwaukee High School of the Arts, Philip received a Clifford Brown/Stan Getz Fellowship and toured the US, Canada, and Japan. Later that year, Philip moved to New York to attend Manhattan School of Music on a full-tuition scholarship. In 2007, Philip received his bachelor's degree with honors.

    Since his move to New York in 2003, Philip was named third-place winner of the International Trumpet Guild Jazz Competition in 2004, first-place winner of the National Trumpet Competition in 2005, first-place winner of the Carmine Caruso International Solo Jazz Competition in 2007, and semi-finalist in the 2008 Thelonious Monk International Jazz Trumpet Competition. Philip has been mentioned and featured in dozens of magazines and news articles, most notably the 2007 Down Beat article "25 [Trumpet Players] for the Future." At the age of 22, he was the youngest member recognized. Philip's debut recording was released in November of 2005 on the Fresh Sound New Talent label.

    As an educator, through the support and sponsorship of the Edwards Instrument Company, Philip travels the US giving clinics and master classes to middle school, high school, and college level students. He is also a member of Jazz Reach, a performing and educational program that travels the country, exposing children and young adults to the wonders of jazz.
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  • Rizpah Lowe, Harp

    Already a proficient musician, Rizpah began training on the harp at Cass Technical High School in Detroit. While in high school, she refined her craft as principal harpist for the Detroit Symphony Civic Orchestra, with summers at the Tanglewood Music Institute. Following high school, Rizpah attended the University of North Texas, receiving a Bachelor of Music Education.

    Now, Rizpah calls Texas home, working with many groups in the Dallas area, including her own trio. Rizpah also has performed at the Henry Mancini Institute in Los Angeles.

    In April 2007, Rizpah was selected to participate at Betty Carter's Jazz Ahead with performances at the Kennedy Center. In July 2007, she was awarded first place in the Lyon & Healy International Jazz and Pop Harpfest Competition held in Salt Lake City, Utah. She will hold that title until later this year. In July 2008, Rizpah was invited to be a featured performer at the World Harp Congress in Amsterdam.

    Rizpah expands the definition of a harpist, incorporating jazz, classical, and avant-garde styles in a unique blend, which she calls Organic Jazzy Soul.
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  • Sam Harris, Piano

    Sam Harris's life in music began at the age of two, when his mother put him in early piano lessons. Sam quickly excelled in his classical training, and by the age of 10, he was competing regularly on the local and state levels and performing in masterclasses for such distinguished artists as Van Cliburn winners Jose Feghali and Vladimir Viardo. At Booker T. Washington Arts Magnet High School in Dallas, he discovered jazz and was soon consumed with the dual pursuit of classical and improvisatory music. His talents were recognized in the national Down Beat magazine Student Music Awards (Best Original Composition winner and Best Jazz Soloist honorable mention, both in 2004) and the National Endowment for the Arts Recognition and Talent Search. In 2004, he moved to New York to attend Manhattan School of Music on scholarship, where he has studied privately with such outstanding professors as Garry Dial, Jason Moran, and John Riley. After graduating in just three years, he returned in 2007 and is currently pursuing his master's degree. He has appeared at Dizzy's Club Coca-Cola, Sweet Rhythm, and Meyerson Symphony Center in Dallas, as well as at the 2003 and 2004 International Association for Jazz Education conferences and the Portland Jazz Festival.
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Professional Training Workshops are made possible, in part, by Mr. and Mrs. Nicola Bulgari and The Gladys Krieble Delmas Foundation.