CARNEGIE HALL PRESENTS
Performance Tuesday, Dec 28, 2010 | 8 PM

New York String Orchestra

Stern Auditorium / Perelman Stage
End the year on a high note at this final concert for the young musicians of the annual New York String Orchestra Seminar. Yo-Yo Ma attended the workshop as a teenager, calling it “one of the defining moments” of his career. Come hear the next generation of great performers with Artistic Director Jaime Laredo as they tackle Barber and Brahms, and Beethoven’s “Eroica” Symphony.

Performers

  • Ariana Ghez, Oboe
  • Daniel Hope, Violin
  • David Washburn, Trumpet
  • New York String Orchestra
    Jaime Laredo, Conductor
  • Paul Watkins, Cello
  • Tara Helen O'Connor, Flute

Program

  • BARBER Capricorn Concerto, Op. 21
  • BRAHMS Double Concerto in A Minor
  • BEETHOVEN Symphony No. 3, "Eroica"

  • Program is approximately 2 hours, and will be performed with one intermission

Bios

  • Ariana Ghez

    Ariana Ghez joined the Los Angeles Philharmonic as its principal oboist in September 2006. Prior to this appointment, Ms. Ghez was principal oboe of the Rochester Philharmonic Orchestra and of The Santa Fe Opera Orchestra. She has also performed as guest oboist with the Chicago Symphony Orchestra and the New York Philharmonic.

    As a soloist, Ms. Ghez has performed with the Los Angeles Philharmonic, Rochester Philharmonic Orchestra, Chamber Orchestra of the South Bay, Lake Tahoe Music Festival Orchestra, and Aspen Music Festival.

    An avid chamber musician, Ms. Ghez has collaborated with Jaime Laredo, Ida Kavafian, and Gil Shaham, and frequently performs with her Los Angeles Philharmonic colleagues on a chamber series at the Walt Disney Concert Hall.

    Ms. Ghez is on the faculty of Chapman University, and has conducted master classes at the Oberlin Conservatory of Music, University of Southern California, The Colburn School, and Kent/Blossom Music Festival. She has also served as a guest faculty member at the Aspen Music Festival and School. Ms. Ghez holds a bachelor’s degree in English literature from Columbia University, where she was enrolled in a joint program with The Juilliard School. She pursued graduate studies at Temple University in Philadelphia with Richard Woodhams. Ms. Ghez is an alumna of the 1998 New York String Orchestra Seminar.
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  • Daniel Hope

    British violinist Daniel Hope has toured the world as a virtuoso soloist and as a member of the Beaux Arts Trio during its last six seasons. He is celebrated for his musical versatility and creativity, as well as for his dedication to humanitarian causes. Born in South Africa and raised in England, Mr. Hope holds degrees from the Royal Academy of Music, where he studied with famed Russian pedagogue Zakhar Bron.

    Mr. Hope, an exclusive Deutsche Grammophon artist, has earned numerous Grammy nominations, a Classical BRIT Award, the German Record Critics’ Award, and four consecutive ECHO Klassik prizes. On previous albums with Warner Classics and Nimbus, he has recorded music by Bach, Berg, Britten, Elgar, Finzi, Mendelssohn, Mozart, Penderecki, Schnittke, Shostakovich, Tippett, and Weill. In spring 2011, Deutsche Grammophon will release his tribute to the great violinist and composer Joseph Joachim.

    Mr. Hope regularly directs chamber orchestras, including the Chamber Orchestra of Europe, Camerata Salzburg, and Concerto Köln. He has performed at the world’s most prestigious festivals, such as the BBC Proms, and the Lucerne, Ravinia, Salzburg, Schleswig-Holstein, and Tanglewood festivals.

    Mr. Hope has performed with the world’s greatest orchestras in the most prestigious venues. Highlights include the Boston, Chicago, Toronto, and Atlanta symphony orchestras, as well as the major orchestras of Berlin, Birmingham, Dallas, Detroit, Dresden, Israel, London, Moscow, Oslo, Paris, Stockholm, and Vienna. Visit danielhope.com for more information.
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  • David Washburn

    David Washburn is a Yamaha Performing Artist and the principal trumpet of the Los Angeles Chamber Orchestra, as well as associate principal trumpet of the Los Angeles Opera Orchestra. He has also served as principal trumpet and soloist with the Hong Kong Philharmonic Orchestra.

    Mr. Washburn has recorded on numerous motion picture soundtracks: Karate Kid, Avatar, The Legend of Zorro, Troy, A Beautiful Mind, Windtalkers, The Perfect Storm, Titanic, and Deep Impact.

    Currently, Mr. Washburn is a faculty member at Chapman University, Biola University, University of California (Irvine), and The California State University (Long Beach). He has held teaching positions at California State University (Northridge), University of Redlands, Idyllwild Arts Academy, and The Hong Kong Academy for Performing Arts.

    Mr. Washburn has been a featured soloist with the Los Angeles, St. Louis, Hong Kong, and California philharmonics; the Los Angeles, San Diego, and South Bay chamber orchestras; the Berkeley, Burbank, Knox-Galesburg, and Glendale symphony orchestras; the University of California (Irvine) and Pasadena Pops orchestras; The Chamber Music Society at Lincoln Center; and the Santa Fe, La Jolla, and Music@Menlo chamber music festivals.

    Mr. Washburn earned a master’s degree in music from the New England Conservatory and a bachelor’s degree from the University of Southern California Thornton School of Music.
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  • New York String Orchestra

    The New York String Orchestra Seminar is one of the country’s most acclaimed professional training programs. In 1969, arts administrator and manager Frank Salomon created the seminar for Alexander Schneider, one of the 20th century’s preeminent musical figures whose deep commitment to young artists was an inspiration to a generation of musicians. Before his death in 1993, Schneider chose Jaime Laredo to carry on the project’s mission. In its four decades, the seminar has introduced more than 1,800 exceptional young musicians to new musical ideas, offering them chamber music coaching from members of the world’s top ensembles, and giving them the challenge of performing two concerts, presented by Carnegie Hall. All participants receive full scholarships to ensure no gifted young artist is denied the opportunity due to personal financial limitations.

    Alumni of the New York String Orchestra Seminar are found in leadership roles around the world. They include cellist Yo-Yo Ma; violinists Cho-Liang Lin, Gil Shaham, Kyoko Takezawa, and Shlomo Mintz; members of the Guarneri, Emerson, Orion, Muir, Johannes, Brentano, Takács, and Kronos string quartets; concertmasters and members of the Philadelphia, Metropolitan Opera, and Cleveland orchestras, the New York and Los Angeles philharmonics, and the Boston, Cincinnati, Chicago, and National symphony orchestras; conductors Peter Oundjian, Joseph Swensen, Douglas Boyd, and Marin Alsop; and faculty members of the most distinguished conservatories and universities in the US.

    The 2010 New York String Orchestra is comprised of 64 students (ages 16–23) from conservatories, colleges, and high schools across the United States and Canada. Selected through highly competitive national auditions, the young musicians give up their winter holidays to come to New York City for 10 days. Under the leadership of Jaime Laredo, participants immerse themselves in orchestral rehearsals and take part in chamber music sessions with master artists, including members of the Emerson, Juilliard, Orion, and Guarneri string quartets. This year’s chamber music faculty includes bassists Peter Lloyd* and Kurt Muroki*; cellists Bonnie Hampton, Sharon Robinson, and Peter Wiley*; violinists Cathy Cho, Eugene Drucker, Ida Kavafian, Cho-Liang Lin*, Daniel Phillips*, Todd Phillips*, Sylvia Rosenberg*, Stephen Shipps*, Laurie Smukler*, and Hiroko Yajima; violists Samuel Rhodes, Steven Tenenbom*, and Michael Tree; flutists Bart Feller*, Tara Helen O’Connor, and Carol Wincenc; oboist Linda Strommen*; clarinetist Anthony McGill*; and hornist Stewart Rose. (*Indicates New York String Orchestra Seminar alumni.)

    The New York String Orchestra Seminar is a program of Mannes College The New School for Music’s New School Concerts Department: Frank Salomon, Founding Director; Rohana Elias-Reyes, Director; Nate Epply, administrative assistant; Music Advisors: Pamela Frank, Jaime Laredo, Cho-Liang Lin, Arnold Steinhardt, and Michael Tree; Advisory Committee members: Dominick DeRiso, Mark Epstein, Fiona Morgan Fein, Bart Feller, Theodore Harris, Elisabeth Lorin, Frank Salomon, Linda Strommen, Jani Tree, and Helen Wright.

    New School Concerts thanks the conductor, coaches, soloists, audition panelists, and advisors for their invaluable contributions to the project and gratitude to the many others whose time, effort, and resources helped to make the Seminar possible. Our thanks go to the Cleveland Institute of Music, The Colburn School, Eastman School of Music, Manhattan School of Music, New England Conservatory, The Shepherd School of Music, San Francisco Conservatory, and Wellington Hotel. We thank the following friends for their extra efforts on behalf of the project: Erik Bestmann, Patricia Davis, Bart Feller, Valerie Feuer, Mayuki Fukuhara, Mark Holloway, Dean Joel Lester, Don Liuzzi, Mary Malin, Raymond Mase, Frank Morelli, Kurt Muroki, Tara Helen O’Connor, Daniel Phillips, Susan Sawyer, Michael Seabrook, Stephen Shipps, and Hiroko Yajima.

    Visit newschool.edu/mannes/nysos for more information.


    Jaime Laredo

    Performing across the globe for more than five decades, Jaime Laredo has excelled in multiple roles as soloist, conductor, recitalist, pedagogue, and chamber musician. His education and development were greatly influenced by his studies with masters Josef Gingold, Ivan Galamian, Pablo Casals, and George Szell. At the age of 17, Mr. Laredo won the prestigious Queen Elisabeth International Music Competition of Belgium, launching his rise to international prominence.

    In demand worldwide as a conductor and a soloist, Mr. Laredo has held the position of Music Director of the Vermont Symphony Orchestra since 1999. He also holds the position of Artistic Director of New York’s renowned Chamber Music at 92Y series, where he has created an important forum for chamber music that has developed a devoted following. His own chamber ensemble, the Kalichstein-Laredo-Robinson Trio, consistently thrills audiences around the globe with its inspiring performances of traditional repertoire and newly commissioned works. The trio was founded nearly 35 years ago by Laredo, his wife cellist Sharon Robinson, and pianist Joseph Kalichstein.

    His stewardships of the annual New York String Orchestra Seminar at Carnegie Hall and the International Violin Competition of Indianapolis have become beloved educational pillars of the string community. In 2009, Mr. Laredo and his wife became the Artistic Directors of the Linton Chamber Music Series in Cincinnati.

    Mr. Laredo has recorded close to 100 discs. He has been awarded the German Record Critics’ Award; a Grammy Award for his recording of the Brahms piano quartets with Emanuel Ax, Isaac Stern, and Yo-Yo Ma; as well as seven Grammy nominations. Mr. Laredo also holds a prestigious chair position at the Indiana University Jacobs School of Music.
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  • Paul Watkins

    Cellist Paul Watkins performs regularly with many of the major orchestras in the UK and overseas. A dedicated chamber musician, he has been a member of the Nash Ensemble since 1997, and regularly performs with the world’s finest soloists, including Menahem Pressler, Michael Collins, Lars Vogt, Christian Tetzlaff, and Vadim Repin. In 2009, Mr. Watkins signed exclusively with Chandos Records for a series of major recital and concerto discs; upcoming recordings include Britten’s Cello Symphony and concertos by Delius, Lutosławski, and Rósza.

    Mr. Watkins’s flourishing conducting career was launched in 2002, when he was awarded first prize at the Leeds Conductors Competition by a unanimous jury. After two successful years as associate conductor, he became the first Music Director of the English Chamber Orchestra in 2009, and also took on the role of Principal Guest Conductor of the Ulster Orchestra. Mr. Watkins has conducted all of the major British orchestras, including the London Symphony, London Philharmonic, City of Birmingham Symphony, Royal Philharmonic, and Philharmonia orchestras. He has also conducted the Vienna Chamber, Norwegian Radio, and Tampere Philharmonic orchestras; Ensemble orchestral de Paris; Netherlands Radio Chamber and Royal Flemish philharmonics; and Metropolitan, Melbourne, and Queensland symphony orchestras.

    In the 2010–2011 season, Mr. Watkins makes his BBC Proms conducting debut with the Ulster Orchestra, and tours with the English Chamber Orchestra and Anna Netrebko. His first recording as a conductor for Warner Classics, featuring the Britten and Berg violin concertos with Daniel Hope, was nominated for a Grammy Award and won a German Record Critics’ Award.
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  • Tara Helen O’Connor

    Last season, flutist Tara Helen O’Connor was a guest at the Australian Flute Festival, where she performed solo recitals and conducted master classes. She also performed at the 92nd Street Y, Carnegie Hall, Symphony Space, and The Banff Centre; and appeared at prestigious music festivals, including Music@Menlo, Spoleto Festival USA, Chamber Music Northwest, and Music from Angel Fire.

    This season features performances of Bach’s The Art of the Fugue with the Orion String Quartet and the woodwind quintet Windscape at the Kennedy Center; Golijov’s Ayre song cycle with the Andalusian Dogs and Dawn Upshaw; and a collaboration with Eliot Fisk at the 92nd Street Y. Ms. O’Connor is the flutist of Windscape, as well as a founding member of the Naumburg Award–winning New Millennium Ensemble. Winner of the Avery Fisher Career Grant and twice a Grammy Award nominee, Ms. O’Connor is the first wind player to participate in Lincoln Center’s Chamber Music Society Two program, and is now an artist of the Chamber Music Society. Ms. O’Connor teaches at the Bard College Conservatory of Music and Manhattan School of Music, and is the Head of the Wind Department and a flute professor at Purchase College Conservatory of Music.
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This concert is made possible, in part, by an endowment fund for young artists established by Stella and Robert Jones.
This performance is part of the Non-Subscription Events series.

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