CARNEGIE HALL PRESENTS
Performance Thursday, Oct 21, 2010 | 8 PM

Mariinsky Orchestra

Stern Auditorium / Perelman Stage
Three choruses, a phalanx of soloists, Gergiev, and his Mariinsky Orchestra perform the mammoth work that received its triumphant first performance in Munich in 1910, only months before the composer died. The “Symphony of a Thousand” is one of a kind, a setting of Veni creator spiritus preceding the closing scene of Goethe’s Faust.

Valery Gergiev will be signing CDs after this concert.

Performers

  • Alexei Markov, Baritone (Pater ecstaticus)
  • Anastasia Kalagina, Soprano (Una poenitentium)
  • Avgust Amonov, Tenor (Doctor Marianus)
  • Brooklyn Youth Chorus Academy
    Dianne Berkun, Artistic Director
  • Evgeny Nikitin, Bass (Pater profundus)
  • Liudmila Dudinova, Soprano (Mater gloriosa)
  • Mariinsky Orchestra
    Valery Gergiev, Music Director and Conductor
  • Olga Savova, Mezzo-Soprano (Mulier Samaritana)
  • Orfeón Pamplonés
    Igor Ijurra Fernández, Director
  • The Choral Arts Society of Washington
    Norman Scribner, Artistic Director
  • Viktoria Yastrebova, Soprano (Magna Peccatrix)
  • Zlata Bulycheva, Mezzo-Soprano (Maria Aegyptiaca)

Program

  • MAHLER Symphony No. 8

  • There is no late seating for this performance. Program is approximately 1 hour, 20 minutes, and will be performed without intermission.

Bios

  • Alexei Markov

    Alexei Markov was a soloist with the Mariinsky Academy of Young Singers from 2001 to 2008 and has been a soloist with the Mariinsky Theatre since 2008. At the Mariinsky Theatre, he has performed Gryaznoy in The Tsar’s Bride, the title role in Eugene Onegin, Yeletsky and Tomsky in The Queen of Spades, Ivan in The Brothers Karamazov, Germont in La traviata, Renato in Un ballo in maschera, Ashton in Lucia di Lammermoor, and Don Carlo in La forza del destino. Mr. Markov has given recitals in Finland, the UK, Germany, Italy, France, Austria, the US, and Turkey, and has appeared with the Mariinsky Opera in Rotterdam, Germany, at Finland’s Mikkeli Festival, Lincoln Center, and London’s Barbican Centre; in addition, he has performed in The Queen of Spades and Tosca with Oper Frankfurt, Otello at Dresden’s Semperoper, and Un ballo in maschera in Graz. Mr. Markov made his Metropolitan Opera debut in the 2007–2008 season as Andrei Bolkonsky in War and Peace; more recently, he has appeared as Eugene Onegin at Spain’s La Coruña festival and as Gryaznoy in The Tsar’s Bride with the Opera Orchestra of New York in concert at Carnegie Hall.
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  • Anastasia Kalagina

    Soprano Anastasia Kalagina, a graduate of the N.A. Rimsky-Korsakov Saint Petersburg State Conservatory, joined the Mariinsky Academy of Young Singers in 1998 and has been a soloist with the Mariinsky Opera Company since 2007. She has won prizes at the China International Vocal Competition (2005), the International Rimsky-Korsakov Young Opera Singers’ Competition (2002), and the Stanisław Moniuszko International Vocal Competition (2001).

    At the Mariinsky Theatre, Ms. Kalagina has performed the title role in The Snow Maiden, Ninetta in The Love for Three Oranges, Natasha in War and Peace, Adina in L’elisir d’amore, Norina in Don Pasquale, Gilda in Rigoletto, Tebaldo in Don Carlo, Nannetta in Falstaff, Frasquita in Carmen, Teresa in Benvenuto Cellini, Illia in Idomeneo, Susanna and the Countess in Le nozze di Figaro, Zerlina in Don Giovanni, Pamina in Die Zauberflöte, Waldvogel in Siegfried, Sophie in Der Rosenkavalier, Zerbinetta in Ariadne auf Naxos, and many others.

    Ms. Kalagina has frequently toured throughout Europe and the United States, as well as to Israel and Japan. In 2008, she performed to tremendous acclaim in the Russian premiere of Henri Dutilleux’s Correspondences. The same year, she was awarded the Montblanc New Voices Award.
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  • Brooklyn Youth Chorus Academy

    Now in its 19th season, the Grammy Award–winning Brooklyn Youth Chorus (BYC) is one of the country’s leading children’s choruses and is the ensemble of choice for internationally renowned orchestras and artists. Under the direction of Founder and Artistic Director Dianne Berkun, BYC has an international reputation for programmatic and artistic excellence.

    The BYC studies and performs a wide range of music—classical and non-classical—and has an active commissioning program to develop new works across a variety of genres. It has performed with renowned artists such as Elton John, Lou Reed, John Legend, and Grizzly Bear, and has performed under the batons of Lorin Maazel, Marin Alsop, James Levine, Robert Spano, Esa-Pekka Salonen, Leon Botstein, and many others. In 2002, BYC debuted with the New York Philharmonic in John Adams’s On the Transmigration of Souls, for which the BYC won a Grammy Award.

    The BYC receives its training from the Brooklyn Youth Chorus Academy, a performance-based vocal music education program serving nearly 300 students annually in five ensembles. It draws students from all over the city and reflects the broad diversity of the metropolitan area.
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  • Evgeny Nikitin

    Evgeny Nikitin entered the N.A. Rimsky-Korsakov Saint Petersburg State Conservatory in 1992. He was engaged as a soloist at the Mariinsky Theatre while still a student, and has performed the title roles in Boris Godunov and Prince Igor and Amfortas in Parsifal with the company. He made his Metropolitan Opera debut in 2002 as Dolokhov in War and Peace, and has since returned as Colline in La bohème, Pogner in Die Meistersinger von Nürnberg, Fasolt in Das Rheingold, and Creon in Oedipus Rex. He made his Parisian debut performing the title role of Anton Rubinstein’s The Demon at the Théâtre du Châtelet, and returned to sing the title role in Boris Godunov. Highlights of recent seasons include the title role in Don Giovanni at Opéra Municipal de Marseille, Thibaut in The Maid of Orleans at the Washington National Opera, Wotan in Die Walküre in Warsaw alongside Plácido Domingo, Fasolt in Das Rheingold at the Aix-en-Provence and Salzburg Easter festivals, and the Wanderer in Siegfried at the BBC Proms festival. Concert engagements have included performances at Tanglewood and St. Petersburg’s Stars of the White Nights Festival, with the London Symphony Orchestra and the WDR Symphony Orchestra Cologne, and appearances at the Schleswig-Holstein Musik Festival singing Mussorgsky’s Songs and Dances of Death under Christoph Eschenbach.
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  • Liudmila Dudinova

    Liudmila Dudinova graduated from the N.A. Rimsky-Korsakov Saint Petersburg State Conservatory in 2002. While still a student, she was already appearing professionally, performing the title role of Tchaikovsky’s Iolanta and the soprano role in Mozart’s Requiem at the Conservatory Theater. In 2005, she represented Russia at the BBC’s Cardiff Singer of the World competition, and she has won prizes at the International Rimsky-Korsakov Young Opera Singers’ Competition and the Elena Obraztsova International Competition for Young Opera Singers, both in St. Petersburg. She also is a diploma recipient of the Golden Soffit, St. Petersburg’s most prestigious theater prize. Ms. Dudinova joined the Mariinsky Academy of Young Singers in 2002. Since 2009, she has been a soloist at the Mariinsky Theatre, where she has performed Lyudmila in Ruslan and Lyudmila, Xenia in Boris Godunov, Ninetta in The Love for Three Oranges, Violetta in La traviata, Nannetta in Falstaff, Susanna in Le nozze di Figaro, Papagena and Pamina in Die Zauberflöte, Despina in Così fan tutte, and the Flower Maiden in Parsifal.
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  • Mariinsky Orchestra

    The Mariinsky Orchestra enjoys a long and distinguished history as one of the oldest musical institutions in Russia. Founded in the 18th century during the reign of Peter the Great and housed in St. Petersburg’s famed Mariinsky Theatre since 1860, the orchestra entered its “golden age” in the second half of the 19th century under the musical direction of Eduard Nápravnik, whose leadership for more than a half century (1863–1916) secured its reputation as one of the finest in Europe.

    Numerous internationally famed musicians have conducted the orchestra, among them Hans von Bülow, Felix Mottl, Felix Weingartner, Alexander von Zemlinsky, Otto Nikisch, Willem Mengelberg, Otto Klemperer, Bruno Walter, Erich Kleiber, Hector Berlioz, Richard Wagner, Gustav Mahler, and Arnold Schoenberg.

    Renamed the Kirov Orchestra during the Soviet era, the ensemble maintained its high artistic standards under the leadership of Yevgeny Mravinsky and Yuri Temirkanov. The leadership of Valery Gergiev has enabled the theater to forge important relationships with the world’s greatest opera houses, among them The Metropolitan Opera; the Royal Opera House, Covent Garden; the San Francisco Opera; Théâtre du Châtelet in Paris; the Salzburg Festival; and Teatro alla Scala in Milan.

    The success of its frequent tours has created the reputation of the ensemble as a global orchestra; since 1992, the orchestra has made 15 tours of North America, including a 2006 celebration of the complete Shostakovich symphonies, a cycle of Prokofiev’s stage works in 2008, and major works of Berlioz in February and March 2010. The 2009 and 2010 releases of the new Mariinsky Label are Shostakovich’s The Nose, Shostakovich’s Symphonies Nos. 1 and 15, Rachmaninoff’s Piano Concerto No. 3 and Rhapsody on a Theme of Paganini, Tchaikovsky’s 1812 Overture, Shchedrin’s The Enchanted Wanderer, and Stravinsky’s Les noces and Oedipus Rex.

    November 2006 marked the grand opening of the Mariinsky Theatre Concert Hall, and 2012 will mark the opening of Mariinsky III, a new theater placed alongside the historic and fabled Mariinsky Theatre.


    Valery Gergiev


    Valery Gergiev’s inspired leadership as Artistic and General Director of the Mariinsky Theatre since 1988 has taken Mariinsky ensembles to 45 countries and has brought universal acclaim to this legendary institution, now in its 227th season.

    At home in St. Petersburg, his leadership has resulted in the new and superb Mariinsky Concert Hall, which opened in November 2006, and the Mariinsky Label, which was launched in 2009. The new Mariinsky III theater is scheduled to open in the summer of 2012 and, immediately thereafter, the original and classic Mariinsky Theatre (currently celebrating its 150th anniversary) will be renovated to bring its staging facilities to 21st-century standards.

    Presently Principal Conductor of the London Symphony Orchestra and the World Orchestra for Peace, Maestro Gergiev is also founder and Artistic Director of the Stars of the White Nights Festival and New Horizons Festival in St. Petersburg, the Moscow Easter Festival, Rotterdam’s Gergiev Festival, Mikkeli Music Festival, and the Red Sea Festival in Israel.

    Maestro Gergiev is the recipient of a Grammy Award, the Dmitri Shostakovich Award, the Golden Mask Award, the People’s Artist of Russia award, the World Economic Forum’s Crystal Award, Sweden’s Polar Music Prize, the Netherlands’ Knight of the Order of the Netherlands Lion, Japan’s Order of the Rising Sun, Valencia’s Silver Medal, the Herbert von Karajan Music Prize, and French Order of the Legion of Honor.

    Although now recording for the Mariinsky and LSO Live labels, Valery Gergiev also has recorded extensively for Decca (Universal Classics), and appears on the Philips and Deutsche Grammophon labels.
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  • Olga Savova

    An Honored Artist of Russia and a Grammy Award nominee, Olga Savova was born in Leningrad and graduated from the N.A. Rimsky-Korsakov Saint Petersburg State Conservatory in 1994. She joined the Mariinsky Theatre in 1996. Her roles there have included Marina Mniszech in Boris Godunov, Marfa in Khovanshchina, Olga in Eugene Onegin, Jocasta in Oedipus Rex, Hélène and Sonya in War and Peace, Azucena in Il trovatore, Preziosilla in La forza del destino, Eboli in Don Carlo, Amneris in Aida, Emilia in Otello, Brangäne in Tristan und Isolde, Wellgunde in Das Rheingold, Brünnhilde in Die Walküre, Erda in Siegfried, Waltraute in Götterdämmerung, Clytemnestra in Elektra, and the Nurse in Die Frau ohne Schatten.

    Ms. Savova has worked with conductors Valery Gergiev, Bertrand de Billy, Jean-Louis Grinda and Asher Fisch. She has taken part in international music festivals in Finland, the Netherlands, and Russia. She has toured throughout the world with the Mariinsky Opera Company, performing in Europe (Royal Opera House, Covent Garden, and Teatro alla Scala), the US (Metropolitan Opera and John F. Kennedy Center for the Performing Arts) and Japan. She has given solo recitals in France, Belgium, the Netherlands, Italy, the US, Japan, China, and Israel. Ms. Savova has performed on recordings of Prokofiev’s The Story of a Real Man and Semyon Kotko with the Mariinsky Orchestra under Mr. Gergiev.
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  • Orfeón Pamplonés

    The Orfeón Pamplonés, founded in 1865, is one of Europe’s most experienced and prestigious choral institutions. It was the first choral society in Spain to incorporate women, with the establishment in 1903 of a female choir, which performed at the wedding of King Alfonso XIII. From there, it embarked on an artistic path that was unusual at that time, performing pieces never presented before in Spain, including Beethoven’s Missa Solemnis and Bach’s Mass in B Minor.

    Many distinguished conductors and composers have worked with the Orfeón throughout the years, including Maurice Ravel, Camille Saint-Saëns, Alain Lombard, Valery Gergiev, Vladimir Spivakov, Lorin Maazel, Oleg Caetani, Georges Prêtre, Rafael Frühbeck de Burgos, Miguel Ángel Gómez Martínez, and Juanjo Mena.

    In the last five years, the Orfeón has performed the main works of the symphonic-choral repertoire in Spain, France, Portugal, the Netherlands, Germany, and Mexico. Among the ensemble’s repertoire are Beethoven’s Symphony No. 9; Brahms’s Ein deutsches Requiem; Verdi’s Requiem; Mozart’s Requiem; Berlioz’s Requiem; Mendelssohn’s “Lobgesang” Symphony and Elijah; Mahler’s Second, Third, and Eighth symphonies; Carl Orff’s Carmina Burana; Bruckner’s Mass in F; Prokofiev’s Alexander Nevsky; and Haydn’s Die Schöpfung.

    The Orfeón Pamplonés has also participated in operas such as Puccini’s La bohème with soprano Ainhoa Arteta and Rossini’s La donna del lago with tenor Juan Diego Flórez, as well as in special crossover projects, such as Berlioz’s La damnation de Faust and Orff’s Carmina Burana with the theater group La Fura dels Baus.
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  • The Choral Arts Society of Washington

    Now celebrating its 46th season, The Choral Arts Society of Washington is one of the major choral organizations in the United States. Under the leadership of its Founder and Artistic Director Norman Scribner, Choral Arts presents its symphonic chorus of 160 professional-caliber volunteer singers in an annual season subscription series at The John F. Kennedy Center for the Performing Arts and other DC-area venues. In addition, The Choral Arts Society has designed and implemented an award-winning educational program and presented a variety of community outreach programs, including its popular Family Christmas concerts and annual tribute to Dr. Martin Luther King Jr. The chorus has performed with leading symphony orchestras, sung under the world’s most distinguished conductors, produced 17 acclaimed recordings, toured nationally and internationally, and participated in numerous special events. Choral Arts has an impressive history of commissioning and performing new works, as well as presenting area and world premieres of outstanding contemporary music.

    In addition to regular performances with the National Symphony Orchestra, Choral Arts has appeared both nationally and internationally with renowned orchestras, including those of London, Atlanta, Baltimore, Cincinnati, Cleveland, and Paris, as well as the New York, Czech, and Israel philharmonics. The chorus has performed under the direction of notable conductors such as Valery Gergiev, Mstislav Rostropovich, Leonard Slatkin, Lorin Maazel, Leonard Bernstein, Robert Shaw, Antal Doráti, John Adams, James Conlon, Leon Fleisher, Rafael Frühbeck de Burgos, Erich Leinsdorf, Yuri Temirkanov, and many others.

    Among its many awards and honors, Choral Arts has received The Washington Post Award for Excellence in Nonprofit Management (2002), the Mayor’s Arts Award for Outstanding Contribution to Arts Education (2008), the Washington Area Music Awards for Best Choral Group (1999, 2000, 2008, and 2009) and Best Classical Recording (2006), and was the first choral group to be awarded a performance grant from the National Endowment for the Arts.
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  • Viktoria Yastrebova

    A prize winner at Warsaw’s Moniuszko International Vocal Competition (2004) and the International Rimsky-Korsakov Young Opera Singers’ Competition (2004), Viktoria Yastrebova graduated from the Taganrog State Pedagogical Institute and later the Rostov State Rachmaninov Conservatory. She was a soloist with the Rostov State Musical Theatre, where she performed the roles of Violetta in La traviata and Cio-Cio-San in Madama Butterfly. Ms. Yastrebova joined the Mariinsky Academy of Young Singers in 2002. Since 2008, she has been a soloist at the Mariinsky Theatre, where she has performed Tatyana in Eugene Onegin, Violetta in La traviata, Amelia Grimaldi in Simon Boccanegra, Nedda in Pagliacci, Lauretta in Gianni Schicchi, Micaëla in Carmen, Elettra in Idomeneo, the Countess in Le nozze di Figaro, Donna Anna in Don Giovanni, and Freia in Das Rheingold.
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  • Zlata Bulycheva

    Born in Petrozavodsk, Zlata Bulycheva graduated from the St. Petersburg State Rimsky-Korsakov Conservatoire in 1995, and also trained at the Stuttgart Academy of Music. She has been a soloist with the Mariinsky Opera Company since 1996. Her repertoire at the Mariinsky Theatre includes Vanya in A Life for the Tsar, Ratmir in Ruslan and Lyudmila, Marfa in Khovanshchina, Konchakovna in Prince Igor, Lel in The Snow Maiden, Lyubasha in The Tsar’s Bride, Jocasta in Oedipus Rex, Preziosilla in La forza del destino, Eboli in Don Carlo, Amneris in Aida, the title role in Carmen, Ascanio in Benvenuto Cellini, Marguerite in La Damnation de Faust, Dalila in Samson et Dalila, Idamante in Idomeneo, Erda in Das Rheingold and Siegfried, and Waltraute in Götterdämmerung. Concert repertoire includes works by Bach, Pergolesi, Mozart, Verdi, Berlioz, Mahler, and Prokofiev. Ms. Bulycheva has toured with the Mariinsky Opera throughout Europe, the US, South America, and Japan. Her recordings include Mussorgsky’s Boris Godunov and Prokofiev’s The Love for Three Oranges with the Mariinsky Orchestra conducted by Valery Gergiev, available on Philips Classics.
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Audio

Mahler Symphony No. 8 (I. Hymnus: Veni, creator spiritus)
London Symphony Orchestra / Valery Gergiev, Conductor
LSO Live

Sponsored by Ernst & Young LLP
This performance is part of the Carnegie Hall Classics and Gergiev and Mariinsky's Mahler series.

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